Its a very appropriate opener for a highly stylized, and ultimately successful attempt to capture the paradoxes that characterize Jamaica, which most of us take for granted, but which perplex foreigners.
Its 1978, and tensions between the two political parties are red hot, red with blood and muzzle flares. But the film is viewed notthrough the prism of the politicians - who appear only fleetingly, but through the young men - and women - who their outsize ambitions and lust for power manipulate and hold captive.
For the next 20-40 minutes, the story unfolds largely in vignette form, darting and skipping furtively from scene to scene like a gangster trying to evade a police raid.
Thereafter, the narrative gradually but noticeably becomes more sure-footed and the film progresses more fluidly to its tragic conclusion (that's as much as I'll give away for those who haven't seen it). Indeed, there's lots to like about this movie, not least - understandably - the music (both the score and the soundtrack are fabulous.
Also, Better Mus Come reaffirms Jamaica as one of the most - if not the most - 'cinegenic' (my coinage) of locations. Even the grimiest slum scenes have a vibrance about them that cannot be put down to mere artifice. the actors all perform creditably - Sheldon Shepherd in the lead role has a good future ahead based solely on his presence (here's hoping he can actually get some roles) and Ricardo Orgill as the "resident hothead" and Everaldo Creary as the part-time DJ and jokester with a brutal streak, also light up the screen.
Better Mus' Come's arrival on the Jamaican scene is both auspicious and ironic. Auspicious because it breaks a long drought for indigenous feature films and heralds a mini-wave of renewed cinematic interest in Jamaica (at least two other Jamaican-themed featured are set to roll out shortly). Ironic, at least form the party political point of view, as its strong undertone of disenchantment with the then ruling party is now mirrored with the opposite party, the electoral tables having been turned (but then, what's new?).
As to how it'll play overseas, that's a different question. It's well made, but somehow doesn't seem to be the stuff of which Hollywood Reporter front pages are made. Cliched as it may sound, Europe seems a better bet, or even Canada, and foreign language re-dubs could well find a comfortable home in South America.
Its not the Jamaican classic it aspires to be, but Better Mus Come is a timely and worthy addition to the annals of Jamaican film.
Another of your excellent film reviews, Mike. You have a different viewpoint that shares praise equally. I especially agree with your last line comment.
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