The
Jamaica Biennial is one of the big highlights of Jamaica's cultural
calendar, and also a very important one, not only for the local visual
arts community but also for the art world of the broader Caribbean
region. In recent years, this ambitious, high-profile exhibition has
become more international in character, attracting participating artists
from the region and beyond. It is fast earning a significant place on
the international art world's map of must-see events.
The Jamaica Biennial 2017
opened last weekend, to record crowds, at its three locations, starting
with National Gallery West on February 24 and Devon House on February
25 and culminating with the main opening event at the National Gallery
of Jamaica on the Kingston Waterfront on February 26. The Biennial
presently attracts two awards, the Aaron Matalon Award and the Dawn Scott Memorial Award and both were announced and presented at the National Gallery on February 26.
The Aaron Matalon Award,
which was inaugurated in 2002, is the National Gallery’s award to the
artist who made the most outstanding contribution to the Biennial. The
award is named in honour of the National Gallery’s past chairman and
benefactor, the Hon. Aaron Matalon, O.J. and had, prior to 2017, been
granted to Omari Ra, Renee Cox, Norma Rodney Harrack, Phillip Thomas,
Laura Facey, Jasmine Thomas-Girvan and Ebony G. Patterson. The award is
selected by a committee that consists of members of the National
Gallery’s Exhibition and Acquisition Committee. The award consists of a
uniquely crafted medal, designed and produced by master jeweller Carol
Campbell, and a $ 100,000 cash award. The medal design is customarily
based on an iconic work from the National Gallery’s collection and this
year’s design was based on the famous Taino Pelican zemi in the
historical galleries.
The 2017 Aaron Matalon Award was granted to Jasmine Thomas-Girvan,
who had also received the award in 2012 and thus receives this award
for the second time – a first in the award’s history. She received the
award for her two stunning installations at Devon House: Parallel Realities, Dwelling I'm The Heartland of My People, in the Devon House dining room, and The Real Princess, which
can be seen in the sewing room. Both works comment, with exquisite
detail and visual poetry, on the epic histories of the Caribbean and its
people, and resonate perfectly with the historical and social
significance of the Devon House mansion. Devon House was built in 1881
by George Stiebel, Jamaica’s first black millionaire, as a suburban
great house, and today operates as a very popular heritage and
recreational site in the city of Kingston.
The Dawn Scott Memorial Award was created and presented by the New York-based art critic Edward M. Gómez
and honours the legacy and enduring influence of Alison Dawn Scott
(1951-2010), one of Jamaica's most original artists of the recent past,
who was known for her innovative work in drawing and architectural
design, as well as in the use of complex fabric-dyeing techniques to
create vivid portraits and landscapes representing Jamaican life. The
award is given to artists with works on view in the Jamaica Biennial
whose art and ideas reflect the artistic values and principles of the
late Dawn Scott. The Dawn Scott Memorial Award comes with a cash prize
in the amount of U.S.$700, funded by Mr Gomez and Dawn Scott's daughter,
Tsehai "Spoogie" Scott, a Kingston-based, film-production specialist.
The inaugural Dawn Scott Memorial Award in 2014 was presented to Camille
Chedda and Kimani Beckford.
For the 2017 award, Gómez split the award among three deserving artist winners: the Jamaican painters Greg Bailey, for his painting Colonial Legacies, and Alicia Brown, for her painting Exchange; as well as the American mixed-media artist Andrea Chung, for her mixed media installation Pure.
Chung, who is of Jamaican and Trinidadian ancestry and lives in San
Diego, California, USA, is one of the international artists who was
invited to contribute a special project. The work of Bailey and Brown
can be seen at the National Gallery of Jamaica, while Chung’s work can
be seen at Devon House, in the adult bedroom and bathroom.
Gómez
had the following to say about the Biennial submissions of the joint
awardees: "With fine technical skill, including a strong sense of
composition and superb draughtsmanship, Greg Bailey creates
psychologically probing portraits of contemporary figures – usually
young, urban, Jamaican men – that make us wonder: What's on the minds of
these subjects? What motivates them? When it comes to the issue of
identity, just who do they think they are? By extension, Bailey's
portraits offer a reflected image of a broader society in which some of
us might not always know what it is that we are – or should be –
striving for, and how chasing certain kinds of goals might shape who we
are or what we may become….Marked by excellent draughtsmanship and a
skillful use of her materials, Alicia Brown's Exchange, a
head-on portrait of a country man, seen standing out in front of a farm
field, is rich in detail. It offers an image of its subject that is as
penetrating in its precision as it is compelling, poetic and empathetic
in its character and aura….In Pure, Andrea Chung uses handmade,
coloured soap to mould vividly accurate sculptures of the outwardly
extended, beseeching, comfort-offering hands of elderly women. In fact,
they are the hands of actual Jamaican midwives, whose skillful,
compassionate intervention at the very start of a new life's journey
represent a first point of contact -- physical and spiritual -- between
members of the human family."
The
National Gallery of Jamaica congratulates and salutes the winners of
the 2017 Aaron Matalon and Dawn Scott Memorial awards, and extends its
commendations to all artists who are participating in the Jamaica Biennial 2017,
which is a very competitive exhibition with many strong and unique
submissions. The Biennial continues at all three locations until May 28.
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