It’s
a small and intimate space, but one that represents an enormous
achievement and far-reaching implications—and it’s a project that has
been some nine years in the making. “We are here, in El Barrio, can you
hear me Harlem?” Nyoka Acevedo, a board member, called out to a packed
crowd just hours after the institution’s ribbon-cutting, which was
attended by New York City’s Commissioner of Cultural Affairs, Tom
Finkelpearl, the First Lady of New York City, Chirlane McCray, and
numerous other officials who have helped to secure a permanent home for
the institution, and to amass $9.3 million (a combination of tax-payer
money and individual donations) for its renovation. “Here we stand, in
our home, in Harlem, in this landmark building, one of the few
institutions of color to have a landmark building in the city.”
The
significance of the moment was not lost on anyone in the room. The
arrival of CCCADI in Harlem marks the end of the institution’s odyssey
through three different spaces, beginning in a building in the East 80s
in 1976, before moving to 58th and 9th, and now East Harlem. “The
process has been a difficult one,” the institution’s firebrand founder
and former El Museo director Dr. Marta Moreno-Vega, who is Afro-Puerto
Rican, said over the phone a week before the opening. Difficult, she
explained, “because having people invest in an idea that addresses the
articulation of a vision that is anti-racism, anti-discrimination, and
pro-African and African Diaspora cultures, is one that even for our own
is not always embraced. The whole notion that you’re building an
institution to a vision of liberation is one that is hard to grasp, and
we were fortunate to get people who understood and invested in different
ways, and now we’re here.”
Since
its founding, the institution has been as much a locus for activism,
and a meeting ground for people of African descent from around the
globe, as it has been a platform for art. Lowery Stokes Sims, a former
museum director and longtime advocate for artists of color, who has
co-curated the CCCADI’s inaugural show “Home, Memory, and Future,”
recalls the institution’s early days, when Dr. Moreno-Vega had just
conceived the space. “I met a very global group of people there,” says
Sims, “and we’re talking in the ’70s and ’80s before globalization
became a widespread notion. It was Southern black people, Caribbean
black people, African black people, Latin American black people, who
came together for commonalities.
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