Kingston Paradise, awarded Best Diaspora Feature in the prestigious Africa Movie Academy Awards (AMAA 2014) - and praised by this column after a screening at last year's Jamaica Film Festival - will screen commercially for the first time to audiences in Jamaica (at Palace Amusement Cinemas and other theaters across the island.)Written and directed by Mary Wells Kingston Paradise hits local screens June 15
With a mostly foreboding look and feel, the film's tight shots follow Rocksy (Chris 'Johnny' Daley), a taxi driver and a colourful misguided small-time hustler who journeys to steal a car, while his lady friend, Rosie (Camille Small), dreams for peace that is depicted in a watercolour painting (a beach paradise). As the crime ensues, in reckless desperation, it changes their lives forever as they fight to survive the chaos of their broken dreams and aspirations.
On their journey, the quintessential paradise painting represents what Rosie (and Rocksy) deeply desires, (freedom, choice, equality). But what appears unattainable is just moments away. They are moments away from lifting themselves out of poverty or moments away from being better human beings. Better yet, just moments away from spending a quiet day at the beach; just moments away with no worries or pain, but with dignity and happiness.
I was trying not to slip as I traipsed over the stone pavement in the drizzle at the old fort at Port Royal in Kingston, the “wickedest city in Christendom,” a warren of iniquity and plunder, a den of pirates and buccaneers and the core of British naval power in the Antilles for 200 years.
As a retired coast guard captain who was born there and lived nowhere else in his 60 years led me around, conjuring up scenes of mayhem, killers, whores and smugglers, I scanned the remains of the fort, nearly deserted that morning, and saw nothing that remained of the glories past. Ruminating about the eerily quiet grounds, the captain sighed and recalled the historic turning point of the Port Royal story, the midday hour on June 7, 1692, when an earthquake toppled most of the city and 2,000 people into the sea, the day Port Royal became a ghost town.
On some islands, the tale would be a defining one, but here, it was just a slim chapter in a dramatic history. Jamaica was born out of conflagration. Fire and brimstone, slave rebellions and insurrections, pirates and buccaneers, hurricanes and earthquakes. It was inhabited by Taino Indians, who named it Xaymaca, and shaped by European conquerors, first the Spanish, then the English.
The British turned the island into a huge sugar plantation, its wealthiest colony in the Caribbean and the hub of slave trade in the Americas. Planters built magnificent houses high above their sugar cane fields, and lived lives of idleness, gorging on drink and wanton sex with slaves.
At the center of Jamaica’s ethnic and political complexity is race. As in Antigua and on other Caribbean islands, the social and economic division between mostly white “haves” and mostly black “have-nots” runs deep. Like other Caribbean countries, Jamaica is demanding reparations for slavery. Old grievances and injustices drive much of the political violence, gang crime and economic problems that have bedeviled the island.
But it seems something is changing. The government is stable after long periods of tumult, and it is pushing to rein in crimes against foreigners, gang-and-drugs shootings, and evangelist-reinforced homophobia. The economy is still wobbly but showing some signs of health, and tourism, the island’s No. 1 industry, on which many Jamaicans depend for a living, has risen to at least 1.5 million visitors a year.
With such high stakes in tourism, the island has begun looking beyond its traditional market, the sand-and-sun visitors and the stable of honeymooners who reliably fill the giant middlebrow Jamaican-owned Sandals and Couples resorts. Jamaica has been promoting celebrity and Hollywood, like the seaside villa “GoldenEye,” onetime retreat of the James Bond creator Ian Fleming and now a resort where one night in the least expensive cottage can set you back $1,400 in the high season.
Glossy videos and magazine advertising showcase a paradise island of multiple attractions including eco-tourism, bohemian tourism, spa and wellness tourism, even small-bore niche tourism like Jewish Jamaican Journeys. It’s an all-out campaign to drum up travelers to Jamaica’s alchemy of nature, adventure, night life and sensuality.
Jamaica has, of course, been a player in the Caribbean tourist game, but competition is stiffer and so are the stakes now that Cuba has opened up and inched ahead of Jamaica in the number of visitors in 2015. Jamaica already lags well behind the Dominican Republic and Puerto Rico, but it hopes that new mega-resorts and other investments will create badly needed jobs and energize the private sector.
With a per-capita income estimated at $9,000 (it’s $15,200 in Puerto Rico and $9,700 in the Dominican Republic) and an approximate 16 percent unemployment rate, Jamaica is grappling with the steady exodus of thousands of its 2.9 million people to New York, Miami and London.
With few options but to expand tourism, which makes up about 27 percent of the nation’s revenues, the government passed development and casino legislation that will bring the first casino-hotel resort to the island,Celebration Jamaica Hotel and Resort, a 2,000-room, 90-acre project set to open in a year or two in Montego Bay. The resort has a Canadian company behind it, but much of the new tourism investment comes from Spain and Mexico, posing a challenge to longtime Anglo-American dominance.
For all the three centuries that Britain ruled Jamaica, though, the island’s deepest influence is not English. It is African. It is folk magic, spiritual and superstitious. It is musical, the poetry of the hills and the streets, the rhythms you hear in the way Jamaicans speak, the imploding pulse that runs from east to west, from the resort-strewn north coast to the rougher south, through bamboo-shaded foothills and cloud-covered peaks and the wind-driven tides that roll up on this island of old myths and spiritual power.
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The “jumping bridge” at Rockhouse.CreditRobert Rausch for The New York Times
Folk magic out of West Africa, not unlike Haiti’s voodoo and Cuba’s Santeria, feeds the Jamaican belief in superstition, witches and ghosts. Magic runs through a pervasive fundamentalist and evangelical Christian society that breeds revivalist cults that speak in tongues and believe in spirit possession. Rastafarians are something else. Born out of poor and black Jamaicans, they worship inner divinity, hold ganja smoking as a sacrament, and are as essentially Jamaican as reggae.
“Reggae is synonymous with social consciousness,” a young Jamaican woman told me. “It means black empowerment. It means Marcus Garvey (the father of the black power movement). It means Rastafarianism.”
This was the Jamaica that I wanted to get to know better.
So after lunch at the historic Devon House in Kingston, the former estate of Jamaica’s first black millionaire, I made the rounds of several history museums with the chairman of the Jamaica National Heritage Trust, Ainsley Henriques. As we browsed through rooms of ancient artifacts, pictures and other paraphernalia, Jamaica’s heroes came to life. There wasPaul Bogle, hanged after the Morant Bay rebellion of 1865, and Nanny of the Maroons, who led slaves to freedom in the Blue Mountains, and Sam Sharpe, hanged after the Christmas Rebellion of 1831. More recently, there was Norman Manley, the Oxford-educated nationalist who helped bring about independence in 1962. His face on wall-size posters in airport corridors greets Jamaica visitors.
And there’s Bob Marley. There’s a museum outside Kingston for the reggae icon. He’s the myth, the mystic, who spoke to God, they say, who conquered the world. But I didn’t have to go look at the museum. All of Jamaica is a Bob Marley museum. A stream of gifted Jamaican musicians cycled through mento to calypso, jazz, rhythm and blues, and ska. Then came Marley, son of a white British officer named Norval Marley and a black woman, Cedella Malcolm Booker, and with Bob Marley came reggae, and reggae took everything in its path.
So that night I avoided the mobbed dance hall parties like Weddy Weddy Wednesdays and went to Redbones Blues Cafe, the highly acclaimed venue for Bob Marley’s musical heirs and a beehive of culture, art exhibitions, foreign films and poetry nights.
I hit it on a poetry night. It was raining off and on. The stage was soaked, and managers were fussing around, clipboards in hand. The bar was buzzing. Next to me, a graying ponytailed foreigner in a white seersucker suit was whispering to his blond girlfriend. Dressy couples held up cocktails and clustered under the bar’s roof. Eavesdropping while sipping a Jamaican-style caipirinha, I ran my eyes over bar walls papered with photos of jazz and blues greats, while, oddly enough, American lounge music played in the background.
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Jerk chicken cooking at Scotchies in Montego Bay.CreditRobert Rausch for The New York Times
The next day, after a three-hour, stomach-churning ride through the mountains, Jamaica’s limpid blue skies and gorgeous seashore came to view. The resort city of Ocho Rios and the smaller coastal towns were bustling. People mingled on sidewalks and plazas, storefronts and markets, food stalls and at the Juici Patties, the local fast-food joints. I wanted to walk around, have a bite, but time was short. I had to get to Montego Bay.
MoBay was just 30 or 45 minutes away on the North Coast highway. Its fabled resorts are secluded behind high fortress walls, forests of trees and steel gates. Once behind those gates, Jamaica seemed to disappear. Well, not all Jamaica. The sea was there, and the hills, and bartenders, housekeepers and porters speaking English salted with patois, exclaiming, “Milady, milady, welcome!”
I wanted nothing more than sunshine and to lie by the sea. On a narrow stretch of the Coyaba hotel beach, Joni from the Netherlands was reading a paperback in German. She and her husband, Jos, a professor with the graying, thinning hair and serious mien of academia, had been there a week and had five more days to go. They were running out of things to do, had gone to the Blue Mountains and to Port Antonio’s Blue Lagoon (site of the namesake movie starring Brooke Shields) and to Dunn’s River Falls and Mystic Mountain near Ocho Rios. Now they were wondering if they should make the long trek to the Appleton Rum estate in the distant inland southwest. I had no answers for them. I hadn’t seen half as much as they had.
I had imagined Montego Bay would glitter with opulent hotels and restaurants, clubs and shops — and it did, in the resorts — but the town’s Hip Strip (Gloucester Avenue) was a letdown, lined with midrange hotels, bed-and-breakfasts, hostels, souvenir shops, jerk food stands, hustlers, and Jimmy Buffett’s Margaritaville, maybe MoBay’s most popular club. It was the version of Jamaica that its tourism folks wanted to rethink.
I hit the city on the last Friday of the month, when folks get paid and go downtown to spend their money. St. James Street was a clogged artery of cars, trucks and buses, a revolving elbow-to-elbow mass of people going through food stalls, bars, clothing stores, haberdasheries, computer depots, supermarkets, carwashes and plazas reverberating with the earsplitting sounds of hawking vendors, chattering voices and full-volume music. I wanted to step down and join in, but I also wanted to get out of there.
After fumes and crowds, I was hoping for a drink and fabulous food. Friends had talked up Scotchies, the island’s best known jerk emporium. I had expected one of those smoky places with picnic tables and paper tablecloths. I found a quaint roadside joint with an open-air bar and a few outdoor tables for large groups. A dozen customers, foreigners mostly, were knocking back Red Stripe and digging into servings of jerk pork. I ordered the same. The beer was ice-cold, but the pork was tough and tasteless. I kept pouring a spicy goop over it but it didn’t help.
Vivid paintings in Life Yard in Kingston.CreditRobert Rausch for The New York Times
A day later, on my way to Negril’s West End — after my debit card was “eaten” by a Scotiabank A.T.M. at a Kingston shopping mall and after putting up with unreliable land transport — I wasn’t sure I would ever have a great day in Jamaica, or worse, that I would ever feel that inexplicable connection to the island that I had felt in Antigua and San Juan and Havana.
Two hours down the Norman Manley Highway south to Negril, flashing by speeding bicyclists and motorcyclists, herds of baby goats, bold-paint wood-and-tin homes and the open sea, Jamaica began to work its charms on me.
Then, there was Negril’s West End and the Rockhouse Hotel. Magic!
It was visually fabulous with flowers in bloom, bougainvillea vines and almond trees, and shaded winding paths that led to hexagonal thatched-roofed villas of timber and stone looking out to the sea. At a glance, Rockhouse lived up to its reputation, one of the loveliest boutique hotels in the Caribbean.
But extreme contrasts are inevitable in Jamaica. Across the road from Rockhouse’s fancy gift shop, several ramshackle souvenir shops sold typical tourist wares — T-shirts, flimsy dresses, scarfs, hats and trinkets — and a short ride from the eco-centric serenity of Rockhouse, hundreds of tourists flocked to Rick’s Café, a boisterous bar-restaurant-music hangout with a cliff-diving show, super bars and sensational sunsets.
I checked out the scene one afternoon, tried to get a bar stool but gave up fighting the crowd. A singer was dancing on the stage, and people swilling from paper cups clapped to the rhythm. Soon, rather suddenly, as it does in the tropics, the sun went down, and with that the party broke up. The crowd streamed out, pushing and shoving. Tour buses, vans and taxis packed with riders lumbered out of the parking lot. It was a crazy scene, as crazy as Negril’s infamous boat parties and bar shuttles.
That evening at the Rockhouse, I was having a drink and chatting with an American couple who came back every year, had married and honeymooned there. Even with its high occupancy rate, the hotel opens its restaurants to the public. Expats living in Negril make it their club, where you might meet old-time hippies in sandals like Janet, a blustery San Franciscan who married a local 27 years ago and is building a house with a swimming pool on a hill.
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An “On the Spot,” whose colors change as you drink it, at the Cedar Bar at the Half Moon resort.CreditRobert Rausch for The New York Times
At the bar of the main restaurant, which doubles as a community center with easy chairs and sofas, books and the only TV in the resort, a small group of women was cracking jokes about the risqué show at the Jungle nightclub on Ladies Night Out. They’d come from Alberta, Canada, and were letting loose and splurging on cocktails, crispy fried snapper and crème brûlée.
Early morning, I was on a sleep cloud, tucked in on a pillowed four-poster bed, a slow ceiling fan ruffling a pinned-up muslin mosquito net. Jumping off the bed, I opened the shuttered doors to my private deck. The roiling sea melded with the distant blurry horizon, and I watched as a small boat with a single passenger, man or woman I couldn’t tell, heaved and tossed in the rough sea. Waves leapt, crashed and spat foam maybe 50 feet high against the Rockhouse cliffs. From somewhere on the nearby road drifted the lilting music you hear everywhere you go in Jamaica, the soundtrack of the island.
Later, only a 15-minute drive away, I was dipping my feet in the sea, strolling along the popular (and overbuilt) Seven-Mile Beach. The fluffy white-sand strip was crowded already. Tourists were ensconced in lounge chairs, their bodies laid out to toast. A rangy vendor with dreadlocks, hollow cheeks and bony legs followed me, dangling a bunch of bananas in one hand and clutching a plastic sack containing who knows what. Peddlers and hustlers are a plague all over Jamaica, but this guy didn’t push it. When I said “no” politely, he backed off.
Grateful, I picked up my walk on the lumpy wet sand. The sea sloshed around my feet, splashing my legs. Glass-bottom boats and fishing charters swayed in shallow waters, waiting to take divers and snorkelers to the coral reefs and grottoes that make this Jamaica’s dreamiest coast.
I had been in Jamaica five days, and finally I was steeping myself in the singsong and blithe spirit of the island.
My trip was now winding down, and I returned to Montego Bay to the Half Moon resort. Half Moon was a palace, elegant, serene, welcoming. Queen Elizabeth II has stayed there and Prince Philip and the Prince of Wales and John and Jackie Kennedy, and countless movie stars and celebrities, honeymooners and lovers on a fling. It is a once-in-a-lifetime place.
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Gloucester Beach in Montego Bay.CreditRobert Rausch for The New York Times
I had a few hours left, so I went out to the sun, ordered a gin and tonic at the beachside Cedar Bar, and found a lounge chair near a gaggle of young Brits, Virgin Atlantic crew members on a two-day layover. That evening they had a party and wanted me to go along. I had other plans. I had a predawn wake-up call to catch my flight out.
After a wonderful dinner outdoors at the hotel, I took my time going through Seagrape Terrace, where guests had gathered for a musical nightcap with a Jamaican singer. I listened for a while and walked down the beach. In the distance I thought I heard the familiar words, “One love, one heart, let’s get together and be all right.”
The genre itself got started, like most, in the streets, among small gathering places, corners and open-air lawns, but when dancehall became mainstream, so too did the venues shift, and one in particular, has now notched over three decades as the greatest one-night gladiatorial contest for DJs. That is the event known as....
STING
Founded by former enforcer cop Isaiah Laing back in 1983 (still a transitional time for Jamaican music), Sting is virtually unparalleled in all of popular music. On one stage, all of dancehall's latest and greatest meet tot try and impress a notoriously demanding crowd, who have been known to air their displeasure with the throwing of bottles and other missiles, and there has also been gunfire. What they really want to see however, are the on-stage conflicts, as the hottest DJS, male and female, take on each other. These hot lyrical battles have often overheated into physical contests, and the epic feuds between the likes of Beenie Man and Bounty Killer, Vybz kartel and Mavado and more recently 'clash king" Kip Rich and Blak Ryno have played out on the STING stage at JamWorld in the St Catherine plains. More recently, STING entered the realms of pay-per-view, pulling in even more audiences globally and more bucks for Laing and directors, including cash-rich producer Joe Bogdanovich
Reggae Sumfest dancehall night
Reagge Sumfest superceded the now defunct Sunsplash largely on the appeal of its own mid-summer version of a one-night dancehall extravaganza Indeed, Sumfest Dancehall night is where many artistes essentially "make their bid" for consideration on the STING line-up as the hottest act in July will certainly be offered a spot on Boxing Day (night) . The Sumfest stage has also seen its share of conflicts and controversies, but also some wild and crazy entrances (by the likes of Shabba and more recently, Spice) as well as some memorable performances
Fully Loaded
held at the James Bond beach in scenic St Mary, Fully Loaded spent roughly a decade as the big bad day-into-night beach party of dancehall
The first Nevis Blues Festival is scheduled for April 16 to 19 at the Sundowner Stage in the island’s Oualie Bay district. The three-night festival will feature award-winning musician and British blues hall of famer Ian Siegal; Zac Harmon, recently named XM Satellite Radio’s “Best New Blues Artist,” and U.K.-based jazz, gospel and blues singer Denise Gordon, whose parents are from Nevis.
“We’re excited to premiere the Nevis Blues Festival as our newest cultural offering,” said Mark Brantley, Nevis’ minister of tourism. “Our aim is to present a highly anticipated annual event that celebrates both local and international talent while reflecting the beauty and cultural experience of Nevis.”
The Nevis Blues Festival will “complement the natural, intimate and relaxed setting of the island, allowing music lovers to enjoy the soulful sounds of blues that will fill the night air," according to organizers.
The event will also differ from other Caribbean music festivals, which attract theater- and stadium-sized audiences. The Nevis Blues festival will be a “small, intimate festival, where fences and security guards are not only unnecessary but would look absurd,” say organizers. The small scale is appropriate on an island with only 12,000 residents and about 400 hotel rooms.
