Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Wednesday, June 22, 2016

Film: Curtains set to go Up on 2016 GATTFEST

The 4d Annual GATFFEST reaches a crescendo this week with the Premiere of Film on Trench Town at the Opening Night, scheduled for June 23 at the Assembly Hall on the mOna Campus of the UWI.
 
The highly anticipated four day festivities, which culminate at a grand award ceremony on June 26, brings the curtains down to what has been one of the most exciting showcase of GATFFEST till date.
 
Not only did the interest spiked in this path breaking community initiative locally and regionally, the number of international entries to the Caribbean’s most happening community film festival reached record numbers.
 
“We are proud of GATFFEST’s achievements,” said Professor Ian Boxill, Professor of Management Studies and Director, Centre for Tourism and Policy Research. “It is through perseverance, hard work and most importantly a dedicated and focused team, which has made us grow strength to strength every year.”
 
The series of events include an invitation only Opening Gala and Film Premiere, which is a Red Carpet Arrival and Reception and premiere of documentary on Trench Town.
 
The festivities move to Edna Manley College of the Visual and Performing Arts on Friday, June 24, where two workshops, which will be anchored by United States film maker Judy Chaikin, and Colombian film maker Jhon Narvaez Escudero – who will delve under the theme “Telling your story workshop”. These workshops are free of cost. On Friday evening, EMC will host a selection of local and international films – there is nominal admission cost of $800.
 
On Saturday, the spotlight shines in Kingston and the second city of Montego Bay. At Courtleigh Auditorium, in Kingston there will an engaging panel discussion will look into Movie Techniques and The Filmmaker’s Trials and Tribulations. UWI Western Jamaica Campus comes alive with Jhon Narvaez Escudero giving Tips for the Independent Filmmaker.
 
Both events are followed by film nights, at Courtleigh Auditorium in Kingston and Wexford Hotel in Montego Bay.
 
Sunday, June 26 is the grand finale, wherein a gala Awards Ceremony will be organised, which will recognise and reward the works of the top films.
 
“We are not merely a film festival,” Prof. Boxill said. “GATTFEST is fast becoming the catalyst and the medium for story tellers converging in Jamaica, exchanging thoughts and ideas and critically advancing the filmmaking techniques at par with the best in the world.”

Monday, May 23, 2016

Cinema: "Paradise" Come! Wells' passion project to hit Jamaican screens

Kingston Paradise, awarded Best Diaspora Feature in the prestigious Africa Movie Academy Awards (AMAA 2014) - and praised by this column after a screening at last year's Jamaica Film Festival - will screen commercially for the first time to audiences in Jamaica (at Palace Amusement Cinemas and other theaters across the island.)Written and directed by Mary Wells Kingston Paradise hits local screens June 15
With a mostly foreboding look and feel, the film's tight shots follow Rocksy (Chris 'Johnny' Daley), a taxi driver and a colourful misguided small-time hustler who journeys to steal a car, while his lady friend, Rosie (Camille Small), dreams for peace that is depicted in a watercolour painting (a beach paradise). As the crime ensues, in reckless desperation, it changes their lives forever as they fight to survive the chaos of their broken dreams and aspirations.
On their journey, the quintessential paradise painting represents what Rosie (and Rocksy) deeply desires, (freedom, choice, equality). But what appears unattainable is just moments away. They are moments away from lifting themselves out of poverty or moments away from being better human beings. Better yet, just moments away from spending a quiet day at the beach; just moments away with no worries or pain, but with dignity and happiness.

Tuesday, November 18, 2014

The Death of the Jamaican movie house

So, had a discussion Friay night last with Sasha Bowie and host Simon Crosskill on CVM-Tv's "Live@7"  programme on the topic of Jamaica's disappearing movie houses. One might believe its hardly worth comment, in that the economics of the entertainment biz (and of cinema in particular) has changed drastically all over the world.

But when you consider that we've gone from no less than 4 theatres in a 400-yard radius as recently as the 1980s, to 2 locations  for the entire city of Kingston, then one can see the merits of discussing the issue Its interesting to learn that he Palace Amusement Co that today operates as a virtual monopoly exhibitor, was itself originally in a competitive situation and is in fact now owned by persons, the Graham family (and the 150 or so shareholders) who were in competition with the original Palace
The quote from Melanie Graham is taken from a Gleaner article by Tanya Batson-Savage.

The Palace Amusement Company (1921) Limited was formed by Audley Morais, and operated as a Private Company prior to 1921 (silent movie days). He re-formed the company and offered shares to the public in 1921.
Over the years the Company operated Movies, Rose Gardens, and Palace Cinemas. Gaiety and Majestic was subsequently acquired, Odeon (Mandeville) was leased, and other cinemas ( urban and rural) were built. It operated cinemas and distributed films to many of the independent cinemas that existed in Jamaica and Cayman.
In 1938, Cinema Company of Jamaica Limited built the Carib, in competition to Palace.

In 1947, J. Arthur Rank, from the United Kingdom, bought control in Palace Amusement Company.   The Rank Organisation  bought out Cinema Company of Jamaica Ltd. owner of the Carib.    J. Arthur Rank closed the Movies and built Odeon in Mandeville in 1951, and Odeon in Half Way Tree in 1952.
In l949, Russell Graham built the Tropical Cinema Company, and used it as a centerpiece of the competition that he mounted for the movie audience against Palace.
In 1962, Russgram Investments Limited - a Company owned by Russell Graham - bought the controlling interest in Palace Amusement Company from J. Arthur Rank, and Douglas Graham was appointed Managing Director. The new regime purchased the Majestic Cinema on Spanish Town Road, built the Harbour View Drive In as a partly owned subsidiary, and took control of Tropical Cinema Company, which was a 2-cinema company - Tropical and Rialto.
In 1989, Russell Graham sold his Russgram Investments Company to Douglas Graham, who still has ownership of it.
Palace Amusement Company is listed on the Jamaica Stock Exchange and has approximately 150 shareholders. There are l,437,028 issued stock units. Russgram Investments Limited presently owns 62.05% of the shares in Palace Amusement Company.
So Palace has, in effect, become what they initially fought against. A very typical situation with monopolies, at least in the Jamaican context thus far.

Odeon is by no means unique. A drive through Downtown will also reveal signs on now dilapidated buildings which clearly, if not brightly, state that they were once movie houses. However, not all the old theatre buildings bear reminders of what they once were. It has probably begun to slip from memory that there were actually four cinemas in Cross Roads not too long ago (a perspective which may vary, depending on your age).
Sharing space with Carib was the Regal theatre. It used to be housed in the building which Azan's now occupies. The more recent closing was that of the State theatre. Up to last year it was home to the Kingston Church of Christ and, at the end of last year, the seats were up for sale. Its days as a theatre are long over and there is no sign that they will return.
The other, almost directly across from Courts, now also hosts a church.

Movie buff extraordinaire, Orville Clarke, reflects on the days when there were cinemas in every parish. An avid moviegoer since the 1950s, he names several theatres which existed throughout Kingston. Among them is the very famous Rialto (also of The Harder They Come fame), along with Kings, Gaiety, Queens, Majestic, Ritz, Tropical, Globe and Deluxe. The names of the cinemas seem to reek of the glitz and glamour which they used to hold.
Outside Kingston , The Del Mar (Port Antonio), Empire (Morant Bay) and Capri (May Pen) all added to what helped to create the movie culture in Jamaica. The second city, Montego Bay, had four cinemas strand, The Roxy, Palladium and Coral.

It appears that only Carib is left from that golden era. The grand white building still stands boldly defiant in the middle of Cross Roads. Now Carib 5, the cinema has changed from the single screen set-up that could hold well over 1,000 people at once. Devoured by fire in September of 1996, the cinema managed to arise phoenix-like from the flames. It was also able to do what so many others were unable to do. Change.

Ms. Melanie Graham, marketing manager for Palace Amusement Company, attempted to explain why she believes none of these cinemas were able to last. "They all closed because they were the old type of movie cinemas. Not air-conditioned, very sparse seat, and I think with the advent of video... that added to their demise," she said. She went on to explain that in order to continue to thrive, cinemas needed a lot of investment. "I don't think at the time they were willing to spend to upgrade," she stated, also noting that the admission rates were not very profitable.

Monday, May 7, 2012

Wearing "blinaers" at the Palace

We wanted to wait a while, to give them a chance to answer, but with no word coming out Palace amusement re the movie "Blind Shottas" - an indigenous production, we decided to weigh in.

read our story here, at mnialive. com

http://mnialive.com/lifestyle/mni-view/2365-palace-amusement-cinemas-snubs-new-jamaican-movie-blind-shotta.html

Tuesday, December 20, 2011

Like all good magic, romance builds slow: Hugo

This is definitely one of those cases where your patience will be rewarded.

Martin Scorcese's "departure form Gangland" doesn't seem like much for the first 30 minutes or so. Till that time, the easily grasped plot and sub-plots are stretched almost beyond tolerance; having lost his clockmaker father (Jude Law, making the most of his limited minutes), a boy in 1930s Paris ends up in the train station winding the clocks that direct the trains around which revolve the lives of the extraordinary and the also-rans.

But, he has something else. Hidden away in his gear-filled home is an automaton (wind-up man) bequeathed to him by his father, but in need of repair, in particular the insertion of a heart-shaped wind-up key. This particular metaphor preety much becomes a motif for the entire film, which is considerably enlivened by the presence of  Sasha Baron Cohen as the autocratic yet insecure station inspector (rounding up other orphans and hotly pursuing Hugo); Oscar-winner Ben Kingsley in the role of the crotchety real-life cinema pioneer George Mellies, ruined by WWI and largely forgotten, and most of all, the luminescent Chloe Grace Moretz as Mellies' ward (thus also an orphan) and Hugo's "love interest" in the film - at least as far as pre-teen characters are allowed to have love interests.

The real love letter is revealed though, through a stirring collection of clips, to be Scorcese's, directed at the cinema itself. Through the play of the story, we see George Lloyd's famous "clock-hanging" scene (further recreated by Hugo himself), the Lumiere Brothers early clips, including the train arriving at the station (the train becomes a metaphor in another, more harrowing way, but watch the film for that) and recreations of Mellies famed glass studio and his own pieces.

It looks and feels like magic, but  of course, its partly borrowed, and it may come a little too late amid all the chases and the hand-holding to satisfy some viewers. There's no denying however, that like the wind-up man, the picture turns a few neat little tricks when set on its own.