Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Friday, November 4, 2016

Auto: 100 Thousand car buyers say "i" for BMW

Munich. Three years of BMW i, three years of innovation, three years of holistic sustainable mobility: since its market launch in November 2013, BMW i has not only been the technological pioneer of the BMW Group, but has also symbolised the company’s innovative strength and future orientation in every vehicle it brings onto the road.

Today, this can be seen more clearly than ever: the BMW Group has now delivered more than 100,000 purely electric-powered cars and plug-in hybrids to customers worldwide. The BMW i3 alone has reached a figure of more than 60,000 units, making it the most successful electric vehicle in the premium compact segment. Meanwhile, the BMW i8 ranks first among electrified sports cars, with more than 10,000 delivered since the middle of 2014. Additionally, there are the approximately 30,000 plug-in hybrids sold to date; known today under the label BMW iPerformance, these reflect the successful broad-based transfer of BMW i technology.

“BMW i remains our spearhead in terms of innovation and it will continue to open up groundbreaking technologies for the BMW Group,” says Chairman of the Board of Management of BMW AG, Harald Krüger. “When it comes to electric drivetrains, we’ve already successfully managed to put this technology transfer on the road. The next technological advance we will address is automated driving, where the BMW iNEXT will set a new benchmark.”

By establishing the BMW i brand and opting to develop a separate vehicle architecture and BMW eDrive technology for electric power, the BMW Group became a pioneer in the field of individual, sustainable mobility. Both the BMW i3, designed for locally emissions-free mobility in an urban environment, and the future-oriented plug-in hybrid sports car BMW i8 combine Sheer Driving Pleasure with a premium character that is consistently geared towards sustainability, including the use of resource-efficient production methods and materials. This also appeals to new groups of customers: more than 80 per cent of BMW i3 customers worldwide are new to BMW.

All in all, the BMW Group now offers seven models that either run on electric power alone, like the BMW i3, or are plug-in hybrids, combining a combustion engine and an electric motor. Other models will follow in the years to come, including a MINI Countryman plug-in hybrid in 2017. What is more, a new variant of the BMW i8 sports car with plug-in hybrid drive will come out in 2018 – an open-top BMW i8 Roadster. Looking further ahead, the portfolio will be extended to include a purely electric-powered MINI in 2019 and a purely electric-powered BMW X3 in 2020. At the start of the next decade, another, larger BMW i model with electric drive is due to appear: the BMW iNEXT. This highly innovative model will be the new innovation 

Thursday, October 20, 2016

Music: "Heaven, via Shanghai", exploring the soundsystem culture rocking China's biggest city

-Thump magazine

It was pretty obvious to anyone arriving at the club who Biggaton was. Standing outside in the smoking area was a Rastafarian guy, dreadlocks tied into a massive red green and yellow hat, dressed entirely in white. Later that evening, he jumped down from the DJ booth, strode into the middle of the dancefloor and grabbed a small Chinese girl from the audience. "Baby, tell me where you're from," he said, in his thick Jamaican accent. "Hangzhou," she responded.
"I don't know Hangzhou, but me, I'm from Jamaica, and there, the galdem see me and they say, 'oh Biggaton! Why you all in white, are you an angel?' and I say 'no baby, I'm no angel, but I can take you to heaven!'"
Biggaton—a dancehall star from Mandeville, Jamaica—put on a great show, but in reality I'd come that night to see Skinny Brown, the DJ who'd brought him over from the Caribbean. For the last five years Skinny has been running a night called Popasuda. It's the kind of night where you'll hear songs made in a basement in India played back to back with tracks from Ethiopia, with afrobeats from Nigeria, Azonto from Ghana, and Brazillian baille funk all thrown into the mix. 
Oh, and it takes place in a sweaty warehouse in Shanghai.
Dada, Popasuda's home, is tucked away between nondescript buildings at the intersection of Xing Fu Lu—which translates from Mandarin as the "road of happiness." Situated down an alley, Dada is a graffiti-covered space, with a small chain link fence hanging down from one wall upon which a revolving Popasuda logo is projected. It sways every time someone dances into it.
"What I love about Popasuda," said Skinny Brown when we sat down to talk a few days before his show with Biggaton, "is that I have the Cameroonians in one corner, the Senegalese and the Jamaicans in another, the South Africans, the Brazilians, the Germans and the British all scattered around. Then when you play a track and they know it they come running up to the decks."
Shanghai, despite being fundamentally international, is a city in which stratification can take place incredibly quickly. On any given night you might stumble into a club that feels wholly the preserve of French expats, or others playing Mando-pop where the only foreign faces are the Russian "models" paid 300 RMB to dance on the tables with high rollers. Popasuda, on the other hand, brings as mixed a crowd as you're likely to see anywhere in the world. I've seen the head of one of Shanghai's trendiest art spaces—Shanghainese through and through—his button-down shirt wrapped around his waist, his vest soaked through with sweat clinging to his paunch, swaying, while behind him a group of Indian exchange students lose their shit over a piece of Urdu ephemera.
Skinny Brown is the embodiment of this audience. Raised in Toronto, he speaks six languages—Japanese, Hindi, Portuguese, Mandarin, English and Urdu. He drifted through college and ended up DJing in Tokyo and living in Yokohama. Having left Japan after his visa expired, Skinny found himself soaking up the sound of baille funk in Rio. From Brazil it was on to Pakistan where he spent time with a cousin in Karachi. His excursion to Shanghai came about by accident. "I had one of those 72 hour visas, for transit," he told me "but I guess that was ten years ago..."
A decade on and he's trying something different. "I want to build a soundsystem here, with dubplates, and clashes. The real thing." When I asked him if he felt that Shanghai was a reggae city, he shook his head. "No, not really, but it's coming up." His current method is beginning with a dubplate intro to his set, and then throwing dancehall in later. "It's easy to cross over into dancehall, future dancehall and trappy stuff at 160bpm. A lot of it is driven by that, that BPM and the need to find something that is slightly different."

Thursday, August 25, 2016

The Writers Alliance: Live and Write, with writing residencies

Here are 26 high-quality writing residencies and retreats you may not know about yet. While some of these are quite selective, others are a little more open with their admission policies.

1. Willapa Bay AiR

From the philosophy and mission; to the facilities; to the administration; to the meals; all has been well thought out. When I add in the lovely locale and the interesting and supportive Oysterville community I don’t know how it can get any better. — Betsy Best-Spadaro, visual artist
This fairly new residency program is already making waves. It’s located in Southwestern Washington and offers month-long residencies to emerging and established artists of all types. Lodging, meals and work space are provided to six residents per month from March 1 through September 30. $30 application fee.

2. Millay Colony for the Arts

For many reasons, my residency stay at the Millay Colony for the Arts has been the most prolific, in terms of artistic production and concentrated work. I attribute that to not only the bucolic and remote country landscape, which accords one lonely hikes, clear blue skies and muddy roads, but also the sheer lack of human interaction for my 26 days while in residence. — Kate Hers Rhee, visual artist
This small artist’s colony in upstate New York offers two-week and month-long residencies to six artists between the months of April and November. Unlike many other residencies, they don’t emphasize social events or speakers,  instead preferring for you to focus on producing your art. There are no costs, and food is included. You can also apply for a virtual residency or a “group residency” with your collaborating partners. $35 application fee.

3. Ucross Foundation

At Ucross I learned that I am capable of focusing deeply for long periods of time. I love to write. I don’t think I would have said that before this trip. — Edan Lepucki, novelist
A favorite among writers, this colony is located on a 20,000-acre working cattle ranch in Wyoming. It serves 85 artists per year, with up to nine people in residence at any one time. Lunches are delivered to your door, while dinners are eaten together in a group. Residencies last two to six weeks and are free of charge. $40 application fee.

4. Jentel

The month’s end is a time I am not looking forward to because with the space itself being gorgeous and comfy, the food being good, the people being wonderful, and me being productive I can see myself dreaming of this place once I leave. — Jennifer Baker, fiction writer
Sitting just eight miles away from UCross is Jentel, which hosts month-long residencies year-round; two writers and four visual artists are accepted for each session. Though food isn’t included, they do provide a stipend to help with the costs of your trip. Applicants must be over the age of 25. $23 application fee.

5. Virginia Center for the Creative Arts

There was something magical about being in such a  supportive and beautiful environment, having a different place (studio) to go to every day with the deliberate purpose of writing, and being inspired by the serious work ethic of all the other artists. — Penny Harter, poet
This selective residency is located in the Blue Ridge Mountains of Virginia and accepts artists of all types. Residencies are offered year-round and last from two weeks to two months, with around 20 artists in residence at one time. You’ll receive three meals per day and are asked to contribute what you can, up to their $180 per-day cost to host you. $40 application fee. (TWL Founder Alexis Grant attended this residency, and it is a lovely setting!)

6. Brush Creek Arts Foundation

This place is truly amazing and inspiring. I spent my mornings, early afternoons, and evenings working on a new orchestra piece (still pending), and my late afternoons hiking around the ranch… The other artists were fascinating. — Kari Besharse, pomposer
Wyoming ranches are popular places for writer’s residencies! This one offers two- and four-week residencies, complete with lodging, meals, workspaces and natural beauty. They provide bag lunches and communal dinners. Closed in December. $35 application fee.

7. Writing Between the Vines

Like wine and solitude? Then you’ll love this residency. Available at several different vineyards on the West Coast, this is different from other residencies in that there’s no community of artists. You’ll have a private cottage in which to write, with nobody else around to distract you. No meals are offered, though your stay is free if you’re accepted. $30 application fee.

8. Omi International Arts Center

The international character of [Omi] sharpens your perspective on what it means to be a writer outside the U.S.A. in the 21st century… As for the writing, my main reason for being here, it went sailing along, with only a few days when the anchor dragged. — Alfred Corn, writer
Writers Omi welcomes published writers of all types for residencies of one week to two months. Located on 300 acres in upstate New York, they offer full room and board and frequently host dinner guests from the New York City publishing community. There is no application fee, and no fee to attend.

9. Norton Island Residency

How did I get here? Where am I? I feel like I don’t exist, and it’s nice. — The Magic Wonder Blog
This residency is located off the coast of Maine and offers a rustic and outdoorsy experience for a flat fee of $125. It was closed for renovations in 2015, but the 2016 application will be available on their website in fall 2015. $25 application fee.

10. Kimmel Harding Nelson Center for the Arts

There was time to sleep in, time to stay up late and work, time to nap, time to eat when it was necessary. It allowed me to get wrapped up in the novel completely… The process of engagement was so much more complete at KHN. — Theodore Wheeler, fiction writer
Located in Nebraska City, Nebraska, the KHN Center offers up to 60 residencies per year, for stays of two to eight weeks. If accepted, you’ll receive free housing and a $100 stipend per week to cover food. $35 application fee.

11. Blue Mountain Center

It’s hard to describe joy. It was like I had come home, but the way home would be in heaven: yes, a community in the Adirondacks, but cleaner, fancier, peaceful and safe. More art and more cookies. — Micah Perks, novelist
Go off the grid in the heart of the Adirondacks. This artist’s community offers four different month-long sessions in the summer and early fall, including free room and board. Cell phones aren’t welcome at the center, though you’ll be able to use its phone booth and computer room with ethernet plug-ins (no Wi-Fi here!). $25 application fee.

12. Martha’s Vineyard Writer’s Residency

Perhaps the biggest advantage of doing a residency is to reminded of what I learned  in graduate school: The importance of integrating and valuing regular writing and reading every day. It is easy to get distracted, rush through life, and do only the paid work and chores during the week. —Chloe Yelena Miller, poet and freelance writer
This residency wants to give you time and space to create. They host nine writers at a time in the spring and fall for residencies of two to six weeks. The cost of lodging is $300 per week, and food is not included. $10 application fee.

13. Vermont Studio Center

VSC recreates the best parts of the MFA experience: living in a community of writers (artists), having time to devote to your craft, the sense that what you are working on is important, and friends to have a beer with at the end of the night. —Brendan Lynaugh, writer
Another favorite is the largest international artists’ and writers’ residency program in the United States, hosting 50 visual artists and writers each month in the heart of Northern Vermont.
While writers give it high marks, it’s not cheap; for the complete program, you’ll pay $2,050 for two weeks or $3,950 for four weeks. Some fellowships, grants and work-exchange programs are available to help reduce your cost. $25 application fee.

14. The Edward F. Albee Foundation

My room looked out over a rolling lawn and at night I could hear deer crossing through the streams in the surrounding woods. It was beautiful. Everything I imagined and I was lucky enough to be in residence with a great group of people who were also amazing cooks. — Nichelle Tramble, novelist
Located on a knoll on Long Island, “The Barn” is easy to get to, yet still secluded. It’s open from mid-May to mid-October and accepts artists for four- or six-week residencies. The Albee Foundation can accommodate up to five people at a time and does not provide food. But there’s no cost to apply and no fees if accepted.

15. Wildacres Retreat

If you’re looking for a short residency on the East Coast, look no further. Wildacres offers one- and two-week residencies from April through October. You’ll stay in one of three cabins on their property in the mountains of North Carolina. Meals are served in the main lodge, where you’ll interact with non-artists. There is a $20 application fee but no cost if accepted.

16. The Writer’s Colony at Dairy Hollow

It was a game changer. I learned a great deal about me and my life as a teacher-writer. It is no small thing to come face to face with one’s work with no distractions. And while it is not something I could do on constant basis… it is something I plan to incorporate into my writing year from now on. —Stephanie Vanderslice, creative writer and teacher
Open year-round, this colony in Arkansas hosts 50 writers each year for residencies ranging from one week to three months. If accepted, you’ll receive either a subsidized general residency or a fully-funded fellowship. Actual costs of the residencies are $170 per night, and they request residents contribute at least $60 per night. You can also expect a $25 cleaning fee and a $20 fee for Internet access. $35 application fee.

17. Writers in the Heartland

I’m back from my writing residency, which I can only describe as a wonderful and strange week full of so much hard work, good company in the other writers, and warm hospitality from the spa staff and guests. — Laura Maylene Walter, fiction writer
This small program in Illinois offers no-cost residences in September and October to up to five writers at a time. They provide three meals a day and 32 acres of woods and farmland for hiking, running and meditation. $20 application fee.

18. Artcroft

My writing for these first couple of weeks has been going well. The structure I set up for myself is working as I had hoped. I am getting to know the characters and find them interesting. I’m enjoying the story that is unfolding. — Jason F. McDaniel, writer
Ever wanted to work on a cattle ranch? Here’s your shot. Artcroft offers two- to four-week residencies on a working farm in Kentucky. They provide lodging and food staples, but you’ll be expected to help in cooking and other chores averaging 20 hours per week. $30 application fee.

19. Hedgebrook

I had no book when I was accepted to Hedgebrook in 1995. I’d published poems in a few journals but that was all… Fast forward 18 years. The stay at Hedgebrook changed my life in several important ways. — Susan Rich, poet
While this residency is pretty well-known, we wanted to include it on this list because it’s only for women, and only for writers. In their words, “We provide the time, space, and nourishment. All you do is write.” Featuring six cottages located on Whidbey Island, outside of Seattle, 40 women attend each year free residencies of two to six weeks from February through October. $30 application fee.

20. The Hambidge Center for the Creative Arts & Sciences

You know that saying, “I can hear myself think?” At this writer’s colony, I can. I can hear the words and phrases bouncing around in my head, begging me to put them down on paper… I can get to the heart of what I’m here to do: Create. — The Write Life founder Alexis Grant 
Located on 600 acres in the mountains of north Georgia, residencies last from two to eight weeks and cost $200 per week (though scholarships are available). $30 application fee.

21. Kerouac Project

This residency allows writers to spend three months typing away in the Orlando cottage where literary legend Jack Kerouac wrote his acclaimedDharma Bums. The Kerouac Project offers four residencies a year, and residents are expected to spend their time on their project, give a talk at the end of their residency, and participate in occasional events (such as readings and workshops) held at the cottage. Participants also receive an $800 food stipend. $25 application fee.

International Residencies

22. Gullkistan (Iceland)

As much as I love New York, I wanted to spend a month in a setting that couldn’t be more different — I wanted sublime natural beauty, peace and quiet, relaxation and simplicity — a reset button for myself. Gullkistan was an ideal answer. – Ben Valentine, writer
Located in Iceland’s Laugarvatn Valley, this quiet getaway has mountains, woods, creeks, and a peaceful setting. They welcome all sorts of artists and writers and have space for eight people at a time. The minimum stay is one month, but they may be able to work out a shorter stay for people who are interested. Fees vary based on accommodation preference, starting at 750 Euros. No application fee.

23. 360 Xochi Quetzal (Mexico)

This residency in Chapala, Jalisco, Mexico offers three to five live/work spaces in a small town with horses trotting on cobblestones and cowboys riding by. Writers over the age of 23 are welcome to apply for free one-month residency programs that include accommodations and a food stipend of 1,000 pesos. Apply for a summer or winter program or rent a live/work space other times of the year. $36 application fee

24. Arteles Creative Center (Finland)

Located in the Finnish countryside, these one to two-month residencies, available from June through October, house around 10 artists at any given time. Food is not provided, but participants enjoy a traditional Finnish wood-burning sauna and have access to a car and bicycle. Financial support is available, which reduces the cost to 970 Euros per month for one person in a single room with studio space; the full cost is 1,940 Euros per month.

25. La Napoule Art Foundation (France)

Apply for this interdisciplinary group residency and France for a five-week residency. Up to 10 artists at once live and work in Chateau de La Napoule. Some meals are provided, and $1,000 stipends may be available. $30 application fee.

26. Red Gate Residency (China)

Live and work in Beijing, China with this program which provides one to six-month residencies. Up to 20 residents can be in the program at any one time. However, participants are expected to pay their own living expenses during the program or seek funding and grants from artist organizations in their home country. Participants stay in downtown apartments.

Thursday, July 28, 2016

Te Word on Weed #3

From 1850 to 1942, marijuana was listed in the United States Pharmacopoeia as a useful medicine for nausea, rheumatism, and labor pains and could be purchased from pharmacies and general stores.


n the ancient world, hemp was a common agricultural crop — harvested for its high-protein seeds, oil, and fiber used for rope and clothes. Hemp is one variety of the Cannabis plant, but it doesn’t have the same mind-altering effects as marijuana.
In ancient China and elsewhere in the world, however, hemp was grown for food and had hundreds of other uses — so it was only natural for people to discover that other types of the Cannabis plant could be used medicinally. The spread of medicinal cannabis first started in China, then traveled throughout Asia into the Middle East and Africa. In ancient times, cannabis was used to alleviate pain and treat various conditions. But doctors also warned against using it too much, as they believed it could cause people to “see demons.”
2737 B.C. According to Chinese legend, Emperor Shen Neng was one of the first major leaders in the ancient world to officially prescribe marijuana tea to treat various illnesses — including gout, rheumatism, malaria, and poor memory, according to Understanding Marijuana: A New Look at the Scientific Evidence.
2000-1400 B.C. Compared to the Western world and even other parts of Asia like China and Japan, India had always remained closely tied to cannabis use — medicinally, religiously, recreationally, and spiritually. Cannabis was and continues to be mixed into special drinks that are used for simple enjoyment but also for medical reasons. One of the most popular of these drinks is bhang — a mix of cannabis paste (made from the buds and leaves), milk, ghee, and spices.

MEDIEVAL

Throughout the Middle Ages, cannabis was a widely popular drug in the Middle East. Because wine was forbidden in Islam, many Muslims turned to smoke hashish — the Arab word for marijuana — also known as “grass.” It was also used in traditional Arabic medicine.
Vienna DioscuridesCannabis is listed in the Vienna Dioscurides, an illuminated manuscript in Greek that provides a scientific encyclopedia of animals and plants.Wikimedia
100-1000s A.D. During the Middle Ages in Europe, cannabis may not have been a religious or spiritual hallucinogen like it was in India, but it was still integrated in folk medicine. Cannabis was used to treat tumors, cough, and jaundice. Interestingly enough, medieval physicians and herbalists still warned of using cannabis excessively — believing that too much could cause sterility and other harmful conditions.

MODERN

1500s. The Spanish brought cannabis to South America, but during the North American colonization, there was only hemp — used for practical purposes like clothes, bagging, paper, and ropes for the maritime industry. The hemp industry largely relied on slave labor, and cannabis wasn’t introduced to America as a psychoactive or medicinal drug until years later.
Late 1700s. At this point in time, some American medical journals were suggesting using hemp seeds and roots to treat various health problems, including skin inflammation and incontinence. William O’Shaughnessy was an Irish doctor in the British East India Company who touted medical marijuana’s benefits for rheumatism and nausea in England and America.
1906. The U.S. Food and Drug Administration (FDA) is created to prevent another morphine addiction crisis — as many people were becoming addicted to heroin, opium, and morphine, which weren’t properly regulated. The FDA mainly controlled opium and morphine during this time, and not so much marijuana, but its creation signaled a big shift in drug policy in America.
During this time, Mexican immigrants entering the U.S. introduced marijuana to the country (and the word "marijuana" itself likely originated in Mexico), popularizing the recreational use of the drug more. However, many Americans saw those who smoked weed as debaucherous and troublesome, associating cannabis with “lower class” criminality.
1914. Drug use, under the Harrison Act, is officially declared a crime.
1937. By now, 23 states have outlawed marijuana. The government also passes the Marihuana Tax Act, making the use of non-medical weed illegal. Cannabis was still used in various medical treatments, albeit in controlled forms.
1970. Marijuana was categorized as a Schedule I drug along with more dangerous ones, and was listed as having no accepted medical use. Despite the fact that some early American medical journals had begun listing the medical uses of cannabis, the government restricted any further research into it until more recently.
As of April 2015, 23 states in the U.S. have legalized medical cannabis, but only people with certain qualifications can obtain it. That will usually entail children with epileptic conditions, or sometimes cancer patients who use cannabis to ease the side effects of chemotherapy or radiation. Some states allow patients with HIV/AIDs, Parkinson’s disease, multiple sclerosis, or even Crohn’s disease to obtain medical cannabis.

Tuesday, July 19, 2016

Auto: BMW takes a "new 1" to China

Beijing.  The BMW Group and BMW Brilliance Automotive Ltd. (BBA) will further explore the premium compact segment in China with the BMW 1 Series Sedan – the first compact sports sedan under the BMW brand. This makes BBA's product range in the compact class even more comprehensive with premium entry-level cars covering segments of the Active Tourer, Sports Activity Vehicle, and Sports Sedan, attracting new customer groups to become premium car owners. The premium compact car segment is the fastest growing segment worldwide and in China.  

The BMW 1 Series Sedan is the most sporty and emotional sedan in segment. It is an exclusive model tailored and aligned to the needs of Chinese customers, solely produced and specifically sold in China. The development and testing of the new car was taken place in the BMW headquarters with the involvement of Chinese engineers. The new car also performed intensive road tests in respect to different circumstances of road conditions and climate situations on different terrains in China. With the BMW 1 Series Sedan, BMW engineers have made a lot of specific fine-tuning and improvements according to the Chinese customers' habits and vehicle-use environment.

The BMW 1 Series Sedan is originated from the concept car BMW Concept Compact Sedan, which made its world premiere at Guangzhou Motor Show 2015. As a model ready for production, the BMW 1 Series Sedan maintains design elements of the concept car, including BMW's typical body proportion. The BMW 1 Series Sedan is instantly recognisable as a BMW. It has a concise BMW face with double kidney grille as well as LED double round headlamps and brand emblem in a very present, sporty and modern interpretation. The characteristic BMW design language is also shown in the sporty, emotional and modern-looking silhouette with Hofmeister kink.

The BMW 1 Series Sedan is the latest proof of BMW Group’s strength in innovation and is superior in terms of connectivity. Its comprehensive BMW ConnectedDrive technologies provide all customers unparalleled convenience, rich infotainment, and significantly enhanced safety. The latest powerful and technology-leading engines with hi-tech electronic technology from BMW are produced at the new local engine plant in Shenyang and guarantee unparalleled driving pleasure. 
   

Tuesday, May 31, 2016

Music: Everton "Blends In" China


Roots reggae singer Everton Blender (left) returned home recently following a set of successful performances in China, where he represented Jamaica at the Caribbean Music Festival in the Chinese capital of Beijing,
The award winning Reggae artist was included in a diverse group of musicians selected from the Caribbean to represent their individual countries at the Latin America and Caribbean Music Festival. Other nations represented included; Antigua and Barbuda, Barbados, Dominica, Grenada, Panama, Suriname and Trinidad and Tobago.
“It was a really good experience especially being my first time performing in China, i received a warm welcome from the locals, and there were even Jamaicans in the crowd as well. There was an interpreter on the stage so I even sang some of my lyrics in Chinese much to the delight of my Beijing fans!” Blender shared.
Taking place over 4 days, from April 30 until May 3, the festival was staged at the Rose Bud in Beijing China and was geared at promoting cultural cooperation and creating opportunities for enhanced exchanges between China and the Caribbean.
Organized by the Ministry of Culture of China in collaboration with the embassies of the participating countries; the music festival is also part of the China-Latin America and Caribbean Year of Culture Exchange proposed by Chinese President Xi Jinping.
Performers also included Barbadian Billboard-charting artist Rupee, Grenadian soca artist Mr Killa Panamanian reggaeton artist David L, Trinidadian soca diva Lil Bitts, and 11 other bands from 15 Caribbean and Latin countries, offering fans multiple reggae, soca, rock and folk music performances.
According to Caribbean Entertainment (CE), the artist booking agency that provided the festival’s featured performers, the successful first staging will undoubtedly mean continuity and expansion of this cultural exchange  activity going forward.
“The music festival provided not only opportunities for cultural exchange but a stage for our Caribbean artists to showcase their amazing talent to a virtually untapped Asian market.” Added Brad Hemmings, CEO of Florida based Caribbean Entertainment Booking Agency.
Apart from performances at various venues throughout Beijing, including the Beihang University, Everton Blender also had the opportunity to visit some of the country’s iconic sites including the Great Wall of China.
The artiste and his team are currently working on some “re-blending” and remixing of his classic singles and should be ready for a new release in a matter of days. He will also be performing at the “Indiana Reggae Jam Music Festival” in Indiana on August 20, 2016.

Monday, May 2, 2016

Arts: Jamaican painter Stuns China crowd

Jamaican Artist, Peter Wayne Lewis stunned art enthusiasts during his recent exhibition in Beijing, South Florida Caribbean News reports.
Drawing inspiration from his Jamaican parents and grandparents, the vibrant colours of the Caribbean, jazz, quantum physics, and the spiritual teachings of Christianity, Buddhism and Hinduism.
Jamaican artist extraordinaire, Peter Wayne Lewis, was on hand at the Ullens Center for Contemporary Art (UCCA) to give Caribbean dignitaries an exclusive tour of his latest works on display in the heart of Beijing’s art district.
“Her Excellency Mrs. Fay Pickersgill lauded Lewis’ work and commended his commitment to promoting Jamaica and the Caribbean. H.E. Chandradath Singh from the Republic of Trinidad and Tobago; H. E. Paul Gomez of the Commonwealth of the Bahamas; H.E. Denis Antoine of Grenada and H. E. Dr. the Hon. Chelston Brathwaite of Barbados were also in attendance.”
Lewis’ multimillion dollar pieces were shown alongside the works of the late Frederick J. Brown, the first American artist who was granted permission to exhibit at the National Museum of China in 1988. Brown was a friend of Lewis for some 20 years and Lewis felt it his duty to remind Beijing of the historic nature of Brown’s work and his relationship to the city.
Lewis’ effervescent pieces incorporate elements of avant-garde jazz as well as Caribbean, European, African, Chinese and Japanese music. Indicative in his work is a rhythmic element stemming from his passion for music, and his respect for dissonance, space and even silence. Lewis credits Jamaica and the Caribbean as being significant contributors to his work.
“The biggest influence  about living in the Caribbean are the colours, the texture, the light, the people and the conversations you have, all ripple through my body and come out in my work which really reflect my beginnings,” notes Lewis.
This renowned Jamaican artist has exhibited in several of the world’s greatest cities including London, Beijing, Berlin, New York and Tokyo. Lewis remarked that his ability to exhibit in Beijing is by far one of his most important and greatest accomplishments, one than took approximately ten years to achieve.
“As you know, thousands of Hakka people from China migrated to Jamaica in 1854. These people are a part of what makes Jamaica what it is and is a part of who I am … Coming to China is like coming back home … I have been to West Africa, Germany, France and other places, as a human being it is important to travel and experience our collective humanity,” said an enthusiastic Lewis.
The exhibition consists of 15 paintings; however, this is the first time that “Monk Time Suite” and “Buddha Plays Monk” have been on display publicly. Lewis further notes the role each individual plays in his work:
“This is my humble attempt to try and understand what the world is … this is my way of documenting the journey …. This is reality, it is not abstract. The completion [of each piece] starts with you, it is a conversation, it is what we do as human beings, it’s a dialogue.”
Born in Jamaica in 1953, Lewis migrated to the United States as a child in 1962. He spent 30 years in California before taking up his current position as a Professor at the Massachusetts College of Art and Design.